eric fischl

daniel richter

popculturebrain:

Louis CK covers the new GQ

"My girls and I make a lot of dark jokes together. In the upcoming season [of Louie], there’s a line from a conversation I had with my older girl. She was saying how whenever she sees a three-legged dog, it lifts her spirits, because three-legged dogs are wonderfully unaware that they have a malady. They just walk around, and they don’t give a shit. And I said, ‘You know, honey, they are lucky. But do you know the only thing luckier than a three-legged dog? A four-legged dog.’ And she really laughed. Whenever she laughs that hard at something dark? I know it’s good.”

(via wah-mos)

(via phvlcon)

supersonicart:

Gustavo Peña.

Paintings by Gustavo Peña:

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greathaircut:

i cant wait to get a boyfriend, im all prepared. i punched some holes in the lid of this jar and i put some grass and a twig in it

(via oxblood)

jameskenyondrawing:

King Serpy © James Kenyon

Complacent

You think it is okay to sink
into the ocean of sadness
whenever you wish
because I will always dive for you
each time deeper than the one before
to breathe oxygen into your weary lungs
with open mouth kisses
to pull you back to the surface with me.

But the next time
the water may fill my lungs
before I make it to you.

(via ohcardigan)

meadowtea:

 Al Que Quierea.k.a. Matthew Sullivan

(via tanyuhkayy)

jui6e:

u dont see me going up to white people and asking them where they from n then casually telling them i love hamburger and onion rings dont pull that shit on me

(via jui6e-deactivated20140424)

#personal  
  April 15, 2014 at 01:44pm

(via phvlcon)

jameskenyondrawing:

He is holding a cat

©James Kenyon 2013

(via darksilenceinsuburbia)

darksilenceinsuburbia:

Sarah Schönfeld

All You Can Feel

"Sarah Schönfeld squeezed drops of various legal and illegal liquid drug mixtures onto negative film which had already been exposed. Each drop altered the coating of the film. Much like the effect of some of these substances on humans, this can be a lengthy process – sometimes one that can barely be stopped.

"She then enlarged these negatives including the chemical reaction of the particular drug, to sizes of up to 160 x 200 cm. All of the substances behaved very differently: the shapes and colors that appeared showed unique characteristics and revealed unique internal universes. Schönfeld explores the possibilities of photography at the frontiers of what can be visually portrayed– the interface between representation and reality."



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